Wednesday, August 26, 2009

मेरो प्यारो ओखलढुगा

कविता


युगकवि सिद्धिचरण श्रेष्ठ

***********

मेरो प्यारो ओखलढुगा

जब ढेर भावको डुगा

यर गर्छु स्मृतिको प्रिय गंगा

स्वप्न गगनबाट सुशीतल जल

सुख स्मृतिको बर्सन्छ रिमझिम

मेरो प्यारो ओखलढुगा



ती अबिरल ती परिश्रमी पतकर

द्रुतगामी निर्झरतुल्य चपल


भाग्य लहरमा लहरी लहरी

पुगें यस मरुस्थलमा कसरी

मृग शावकहरू उफ्री उफ्री

तरु लतिकाहरू हल्ली हल्ली

मेरो प्यारो ओखलढुगा


Thursday, August 20, 2009

Changu Narayan Kalash

Photo By : Prayas Dharananda Rajopadhyaya

Narasingha Jatra

Photo By : Abhas Dharananda Rajopadhyaya


Abhas D. Rajopadhyaya

Kathmandu, August 15.

The traditional Narsingh Yatra (procession) of Lalitpur has been observed this Tuesday. The procession is held by the person who gets the turn of the Upakarma Guthi, a religious undertaking of Rajopadhyaya Brahmans of the Kathmandu Valley.

In the procession, along with Narsingh, Laxmi and Saraswati were taken throughout the city. Starting from Gabahal, the procession went to Pimbahal, Ashok Hall, Palakhu, Kumbheshwor, Kobahal, Mangal Bazar, Sundhara, Ikubahal, Mahabouddha, Tangal, Tichhu Galli, Haugal, Ikhalakhu, Purnachandi and at the night, back again to Gabahal, where it ended.

According to the tradition of son-in-law of the person who gets the turn of the guthi to be made Narsingh, this time Dakshinkali-4 resident Suresh Rajopadhyaya became Narsingh, whereas Chikanmugal resident Saurabh and Prayas Dharananda Rajopadhyaya went throughout the procession as Laxmi and Sarswati respectively.

In the procession, the devotee Prahlad has to fold the hands in form of Namaste carrying a dhoop and walk from back, facing the God Narsingh.

The jatra was observed along with various traditional instruments, the hymn singers' team, six pairs of apsaras (heavenly angels) and other devotees.

The Upakarma Guthi's turns comes to the indigenous Rajopadhyaya Brahmins of the Kathmandu Valley, with each city hosting three different of such guthis. Lalitpur's Upakarma Guthi only observes the Narsingh Jatra on the Panchami (5th day) day between Gaijatra and Krishnastami in the Gula month of Nepal Sambat calendar. This year Gabahal resident Ekyananda Rajopadhyaya had his turn, and the next year Pyanga-Tha resident Tribikram Jwalananda Rajopadhyaya would have his.

Thursday, August 6, 2009

Mehndi-mania on the first day of Shrawan

Photo By: Abhas Dharananda Rajopadhyaya



Abhas D Rajopadhyaya

Kathmandu, 16 July.

Ishu Shrestha had come all the way from Harisiddhi to Dharmapath to put mehndi on her hand. She was accompanied by two of her schoolmates, Aayusha Shrestha and Bandana Khanal, who chose low-cost simple designs. They were interested in this tradition of decorating their hands with mehndi.

Aayusha and Bandana believed that the darker the mark of mehndi, the more they get loved by their husband in the future. But Ishu had other ideas. She does not believe it.

They had put on mehndi on the occasion of Shrawan Sankranti – the first day of the fourth month of Bikram Sambat. "This is the day," says Laxmi Pokharel, Kathmandu, "when Goddess Parbati lured Mahadev decorating herself with ornaments." She adds shyly, "I put on mehndi to get more love from my husband."

"The tradition of putting on mehndi is now popular among the youths even," says Nisha Khatri, high school graduate from NIST College. Three girls from Trinity College had done it for fun. Afraid to tell their name lest breaking the college discipline, they had done it copying their friends studying elsewhere.

While the girls are following their tradition, the mehndi-decorating vendors are having their day. Suraj Giri, mehndi-decorator at New Road, says he earns thousand rupees per day and had once earned 1.5 lacs in the month of Shrawan. Working for over eight years in mehndi-design, he adds, "Many people prefer simple designs, while some rich-looking girls prefer the Arabian design or some other fancy ones." These designs cost from rupees 25 to even 25 hundred.

Ram Praves Kumar, a street-vendor of mehndi at Bagbazar, only earns 10-15 thousands in this month. Harindar Kumar, hailing from Ranganathpur, India, says, "There are more people in our profession and our earning is going down." He had decorated over a hundred hands till today afternoon and expects up to five hundred today.

A policewoman complains that the trend of tiuri use has been replaced by modern mehndi. Taking some time off her job to put on mehndi, she adds, "it is the first time that I have put on mehndi; otherwise I would have opted tiuri." She asserts that we need to even take hold of the better-one – the use of tiuri.

Friday, July 31, 2009

Makhan Pashupati

Photo By: Abhas Dharananda Rajopadhyaya
Gold-plated Shiva idol set atop Sano Pashupati Gate
Abhas D. Rajopadhyaya
Kathmandu, July 30.

A Lord Shiva and Nandi idol has found its place atop a newly-built gate at Mahindreshwor Mahadev temple, better known as Sano Pashupati or Makhan Pashupati.
The statue was set up at the wish of Rajan Maharjan, a devotee to Lord Shiva who had this to say, "I couldn't withstand the bareness of the newly-built gate at the temple."

After a yagya was performed today to supposedly bring divinity to the statue (Pran Pratistha), Mr. Maharjan said, "A new heritage is now added to this World Heritage Site." The Lord Shiva idol is of 11-tola gold standing 4.5 ft tall, and is worth five lakhs excluding the gold.

Having completed this wish, Mr. Maharjan now moves on to his next. He says, "Now I wish to build the temple in the same artistic manner it was before the earthquake of 1990." He added that he had already had an estimate amounting to five crores.

The statue was brought here on a chariot at a religious procession last Saturday that started from Tudikhel to the temple, along with the Gurju Paltan and other traditional musical instruments. The procession had taken place in presence of Nepali 'Brahmarshi' Kalidas Baba.

Sunday, July 19, 2009

Thursday, June 4, 2009

Keshar Mahal


Keshar Mahal in the 1930s when photography was new in Nepal only limited to the elite ruling Rana families. The palace belonged to Keshar Shumsher Jung Bahadur Rana. Located at Paknajol, it now houses the Education and Sports Ministry. It is famous for Dream Garden and the Keshar Pustakalaya (Library), the oldest of its kind in Nepal.

Thursday, April 30, 2009

लूँकु फल्चास्थित शिलालेख (The Inscription in front of Luku Phalcha)
Photo By: Abhas Dharananda Rajopadhyaya

लूँकु फल्चा (Luku Phalcha), मरू टोल (Maru Tole)
Photo By: Abhas Dharananda Rajopadhyaya
आदिनाथ मन्दिर (Aadinath Temple)

Friday, April 24, 2009

पुलु किसी - Pulu Kisi

पुलूं किसी (Pulu Kisi)
God of Rain, Indra's vahan, Pulu Kisi, is the elephant, Airavat (ऐरावत हात्ती). The elephant-shaped mask is kept at Kilagal, Kathmandu, Nepal and is taken out in the festival of Indrajatra.
Myths has it that Airavat had searched vigorously for Indra, who was tied up by the jyapus of Kathmandu when in pursuit of a blue-mimosa (Parijat flower). And since then, in every Indrajatra the elephant runs with passion in different localities of the inner city of Kathmandu.
यता छें (Yata Chhe)
A typical Medieval window design of Newar house in Kathmandu, Nepal